Jump to content

Peter Mennin

From Wikipedia, the free encyclopedia

Peter Mennin
Birth namePeter Mennini
Born(1923-05-17)May 17, 1923
Erie, Pennsylvania, U.S.
DiedJune 17, 1983(1983-06-17) (aged 60)
New York City, U.S.
Occupation(s)Composer, teacher

Peter Mennin (born Mennini; May 17, 1923 – June 17, 1983) was a prominent American composer, teacher and administrator. In 1958, he was named Director of the Peabody Conservatory in Baltimore, and in 1962 became President of the Juilliard School, a position he held until his death in 1983. Under his leadership, Juilliard moved from Claremont Avenue to its present location at Lincoln Center. Mennin is responsible for the addition of drama and dance departments at Juilliard. He also started the Master Class Program, and brought many artists to teach including Maria Callas, Pierre Fournier and others.

Biography

[edit]

Peter Mennini was born on May 17, 1923, in Erie, Pennsylvania. Mennin was the son of Italian immigrants Amalia (née Benacci) and Attilio Mennini and the younger brother of composer Louis Mennini. Musically gifted from an early age, he started his first orchestral piece at eleven and completed his first symphony (out of nine he would eventually write) before his 19th birthday. He began his studies at the Oberlin Conservatory with Norman Lockwood when he was 16, but left in 1941 to join the U. S. Army Air Force. He continued his studies with Howard Hanson at the Eastman School of Music, where he received his BA and master's degree in 1945.

His Third Symphony, finished the day he turned 23 and initially written for his PhD requirements at Eastman, immediately catapulted him to music prominence. The work was performed by the New York Philharmonic the following year, and it led Mennin's appointment to the composition faculty of The Juilliard School. It was a runner up for the Pulitzer Prize in 1950. Mennin led the first artistic exchange with the Soviet Union in 1958, where he spent six weeks. He received two Guggenheim fellowships for Music composition, in 1949 and 1957.

Mennin wrote nine symphonies, several concertos, and numerous works for wind band, chorus, and other ensembles. His style became more chromatic and astringent with time, but was always essentially tonal, relying heavily on polyphony.[1]

His work received renewed attention in the CD era; all of his symphonies have been recorded, with the exception of the first two symphonies, which were withdrawn. His String Quartet No 2, premiered by the Juilliard String Quartet in New York City on February 24, 1952, was subsequently recorded on Columbia Records.[2] But his music is seldom heard live in concert halls. His centenary year is being marked by the world premiere of the Aria from his unfinished Violin Concerto at the Aspen Music Festival in August 2023.[3]

His notable students include Van Cliburn, Jacob Druckman, Richard Danielpour, Karl Korte, Charles L. Bestor, Jack Behrens, and Claire Polin. [4] Juilliard awards an annual Peter Mennin prize for Outstanding Achievement and Leadership in Music.

Principal works

[edit]

Symphonies

[edit]
  • Symphony No. 1 (1942)[5] withdrawn
  • Symphony No. 2 (1944) (Gershwin Memorial Award, 1945)[6] withdrawn
  • Symphony No. 3 (completed May 17, 1946, his doctoral dissertation.[7] Premiered February 1947 by the New York Philharmonic, conducted by Walter Hendl.[8])
  • Symphony No. 4 The Cycle (1947–8) (Chorus & orchestra)
  • Symphony No. 5 (1950) (commissioned and premiered by the Dallas Symphony and Walter Hendl)[5]
  • Symphony No. 6 (1953)
  • Symphony No. 7 Variation-symphony (1963, pub. 1967)[5]
  • Symphony No. 8 (1973)
  • Symphony No. 9 (1981)

Other orchestral works

[edit]
  • Folk Overture (1945)
  • Fantasia for String Orchestra (1947)
  • Concertato Moby Dick (1952)
  • Cello concerto (1956)
  • Piano concerto (1958) (Premiered by Eunice Podis, piano, with George Szell conducting the Cleveland Orchestra)
  • Canto (1962; pub. 1965)
  • Flute concerto (1983)
  • Aria, from unfinished Violin Concerto (premiere Aspen, 2023)[9]

Concert Band works

[edit]
  • Canzona for band (1951)

Piano

[edit]
  • Five pieces (1949)
  • Piano sonata (1963)

Choral works

[edit]
  • Four Chinese Poems (1948)
    • In the Quiet Night
    • Crossing the Han River
    • A Song of the Palace
    • The Gold Threaded Robe
  • Christmas Story (1949)
  • Cantata di Virtute, "The Pied Piper of Hamelin" (1969)
  • Reflections of Emily (1978)

Chamber works

[edit]
  • String quartet #1
  • String quartet #2 (1951)
  • Sonata concertante, for violin and piano (1956)

References

[edit]
  1. ^ Shaw, David (2004). Composition and Analysis of Symphony No. 1 by David Shaw and Analysis of Symphony No. 5 by Peter Mennin, dissertation, University of Northern Colorado
  2. ^ Reviewed at MusicWeb International
  3. ^ Aspen Music Festival, concert listing
  4. ^ See: List of music students by teacher: K to M#Peter Mennin.
  5. ^ a b c "Mennin List of Works at Carl Fischer". Archived from the original on January 18, 2013. Retrieved February 21, 2009.
  6. ^ Chase, Gilbert (1992). America's Music: From the Pilgrims to the Present at Google Books. Ed. 3. University of Illinois Press. p. 573. ISBN 0-252-06275-2.
  7. ^ Olmstead, Andrea (2002 reprint). Juilliard: A History at Google Books. University of Illinois Press. p. 243. ISBN 0-252-07106-9.
  8. ^ Olmstead (2002), p. 243.
  9. ^ Mennin began to write a violin concerto for Roman Totenberg during the early 1950s. He completed a slow movement in short score, but nothing beyond that.
  • Walter Simmons: Voices of Stone and Steel: The Music of William Schuman, Vincent Persichetti, and Peter Mennin. Lanham, MD. Scarecrow Press, 2011 ISBN 978-0-8108-5748-3.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Peter_Mennin&oldid=1256541962"